Xx..Mr and Mrs Smith..xX: http://killbill-volumetwo.blogspot.com/

Tuesday, 9 October 2007

http://killbill-volumetwo.blogspot.com/

However, women were pessimistically represented throughout the action genre which the ‘Male Gaze’; a term used by theorist Laura Mulvey in her essay 'Visual Pleasures and Narrative Cinema' (1975) would support, describes what Mulvey saw as the “male point of view adopted by the cinema” [5] for the benefit of an assumed male audience. However, ‘Kill Bill: Volume Two’ (2004) does not follow the issues Mulvey raises because Uma Thurman is represented with such great power, more than men with the help of her samuri sword, throughout the ‘The Crazy 88’ scene, where she singled handly killed them, the cameras were focused all on her and the audience were “mesmerized and captivated” [6] left with enigmas of her next move on her revenge to kill bill. However, Uma Thurman is represented as powerful and dominant, men are still getting their voyeuristic pleasures by watching Uma on her Killing rampage as her outfit is tight fitted which makes her attractive to look at the same time. The male audience may feel a little anxious by watching a powerful and dominant women shown in control by using many phalic objects, such as the samuri sword.

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..Reveiw from about.com..

Jane and John meet while down in Columbia where they’re both on assignment. Neither has a clue what the other one’s up to and after much alcohol and a night of what we can assume is passionate love-making, they become a couple. Fast forward a few months and now they’re Mr. and Mrs. Smith. He believes she handles computer problems for major companies; she believes he’s a big shot in construction. Fast forward even further and now they’ve been married five or six years and they’ve got problems, major relationship problems that necessitate visiting a marriage counselor.
After being together for all those years, you’d think they would have figured out that something doesn’t add up. But no, neither figures out the other’s an assassin until they’re both sent out by their competing companies to take out the same target. The cat’s out of the bag and all bets are off – toss in your own cliché here – as those marital problems they were suffering from before suddenly look like small potatoes. Never forgetting it’s a romantic comedy at heart, the action sequences take over once Mr. and Mrs. discover what their partner really does for a living.
Simon Kinberg’s script is saucy and engaging and director Doug Liman (“The Bourne Identity”) adeptly handles the action and comedy. We don’t often get to see a man and woman engaged in an all-out brawl, but Liman lets the fight scene between Jolie and Pitt get as physical as possible without cutting away too much or cute camera tricks. And while it's a little unnerving to watch their hand-to-hand combat, it makes sense. She’s an assassin, why would her opponent need to hold back?
Fighting, making love, clinched in each other’s embrace on the dance floor, verbally fencing, whatever the circumstance or scene, the pairing of Pitt and Jolie works. They physically match up. Jolie plays Mrs. Smith just as physically capable – and lethal – as Pitt does Mr. Smith. In fact, the female is actually the better of the two assassins. Her moves are planned out meticulously; her actions follow a logical path. He relies more on his instincts and isn’t as fast on his feet as his female counterpart. It’s refreshing to see a female character be allowed to get the upper hand mentally and physically on her male costar, especially in a movie where the leads are portraying professional killers.

From reading this review i totally agree with it as they are chalenging the sterotypes and they are reveiwing that it's the 21st century romance relationship and they are making the whole relationship seem as if it's going to be the one that is going to be nowerdays. so they are chalengeing the sterotype for the perfect couple where the man is in control.